The story was reprinted as published in Nick Fury Special Edition #1 (Dec. he last panel on that page had Nick and his old lady kneeling, with their arms around each other, and that was entirely too much for the Code, so the panel was replaced with a picture of a gun in its holster.
#Contessa valentina allegra de la fontaine code#
So one panel had the stereo in Fury's apartment to show there was music playing, cigarettes in the ash tray in one, there was a sequence of intercut shots where she moved closer to him, much more intimately, there was a kiss, there was a rose, and then there was one panel with the telephone off the hook, which the comic book code Template:Bracket made him put back on. redrew a telephone that had been taken off the hook for privacy, placing the receiver back in the cradle in the last panel, an image was removed and replaced with a closeup of an item from earlier in the page - a phallic long-barreled gun in a holster: In the third-to-last panel, de facto Marvel art director John Romita, Sr. #2 that famously had two panels changed, at the behest of the Comics Code Authority. chief Nick Fury for a loop upon their initial meeting, she quickly became his love interest, and was featured in a silent, one-page seduction sequence in Nick Fury, Agent of S.H.I.E.L.D. feature that ran through Strange Tales #168 (May 1968) and in the same-name comic-book series that began the following month.Īn agent who literally threw S.H.I.E.L.D. The Contessa appeared prominently throughout creator Jim Steranko's run of the Nick Fury, Agent of S.H.I.E.L.D.
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